Art inspires art, and any story can be told from countless perspectives and angles. As people who care about and talk about art, we should consider things for what they are and what they're attempting to do. The first step to doing that is getting our terminology straight; the second is to not let that terminology adversely affect our opinion of a piece of art before we've seen it. Any idea, no matter how much it seems to be creatively bankrupt, can make for a potentially good film.
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Reboots, remakes, and reimaginings: a guide to confusing Hollywood terminology. Share this story Share this on Facebook Share this on Twitter Share All sharing options Share All sharing options for: Reboots, remakes, and reimaginings: a guide to confusing Hollywood terminology.
Reddit Pocket Flipboard Email. A reboot resets the continuity of an established film series The introduction of the term "reboot" into the Hollywood lexicon in recent years has caused a lot of confusion and consternation, because it hews so closely to the idea of a film remake. Remakes closely re-create one particular film In general, the simplest way to remember the difference between a reboot and a remake is to remember that for a film to be a reboot, it should be resetting a chronology that's been established over multiple films.
An image from the Poltergeist remake. Television playwrights, especially Rod Serling and Paddy Chayefsky, were national figures.
This early programming was modernist in its insistence on the unique, isolated text, and hence was distinct from the forms of multiplicity—especially the situation comedy and the continuing dramatic series—that soon came to dominate. But the world of television changed as new forms of financing evolved and more Americans acquired sets. TV subsequently became understood as a lowbrow, commercial mass medium that could be experienced by anyone. Other technological changes, such as the practice of putting entire seasons on DVD, as well as the amount of serious writing that critics began to devote to their favorite shows, created the sense that American television was finally being appreciated as an art form.
As the current demonization of reality-television stars reveals, we are inherently suspicious of the popular. Furthermore, the gatekeepers of the world of media appreciation, who are paid to dispense their good taste—film and television critics, but also media scholars—reify and limit the sphere of what constitutes good taste. Since television is a younger medium than film, the field of television studies is currently grappling with the same conversations that film-studies scholars were having in the s.
How to: Friendsgiving. Facebook Mass Outage Explained. Entertainment Avenue. Anxiety Society. Reflector Reviews: You. Cancel reply. Your email address will not be published. RSS Feed. Submit Search. The George-Anne Media Group. Search this site Submit Search. Recent Headlines. Remakes, retellings, and reinterpretations are foundational aspects to both the history of storytelling and the business of moviemaking.
They were here before you were born and will continue long after you're gone. Knowing that, the next time a remake of a film you love is announced, try thinking about all the possibilities could arise from a new perspective on the material. Most importantly, wait until you actually see the film before judging how you feel about a new version of something you love. Because, who knows? Maybe it could actually connect with and move you more.
The 'Eternals' star also discusses how working with Angelina Jolie mirrored Thena and Gilgamesh's lovely friendship. Mike Shutt is a Writer for Collider. He is the former co-host of the No Excuses podcast and has been writing about film online since , from news to film festival coverage. You can typically find Mike watching a movie, listening to a musical, or planning his next theme park trip.
Image via Warner Bros. Image via 20th Century Studios. Share Share Tweet Email. Mike Shutt 26 Articles Published.
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